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I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film.

I had a big problem working with stars, because they are too expensive and have too many demands. Their names help you raise the money to make the movie, but then they demand close-ups. They change things. You end up doing things at their service instead of servicing the film.


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Author introduction

Alejandro Jodorowsky Prullansky (Spanish: [xoðoˈɾofski]; born 17 February 1929)[1][2][3] is a Chilean[4][5]-French filmmaker and artist. Since 1948, Jodorowsky has worked as a novelist, screenwriter, a poet, a playwright, an essayist, a film and theater director and producer, an actor, a film editor, a comics writer, a musician and composer, a philosopher, a puppeteer, a mime, a psychologist and psychoanalyst, a draughtsman, a painter, a sculptor and a spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation".[6]



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